{"id":13278,"date":"2024-11-13T14:57:26","date_gmt":"2024-11-13T13:57:26","guid":{"rendered":"https:\/\/mnmu.rs\/?p=13278"},"modified":"2024-11-22T21:26:22","modified_gmt":"2024-11-22T20:26:22","slug":"obm-4","status":"publish","type":"post","link":"https:\/\/mnmu.rs\/en\/arhiv-salona-obm\/obm-4\/","title":{"rendered":"OBM 4"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Prevod novinskog \u010dlanka Ota Bihalji-Merina (P. M.) \u201ePikaso protiv Franka\u201c, objavljenog u novinama \u201eABC\u201c 22. jula 1937. godine<\/p>

Prevod sa nema\u010dkog: Tijana Tropin<\/p>

Pikaso protiv Franka<\/p>

Ve\u0107ina ljudi verovatno poznaje neobi\u010dno delo slikara Pikasa. Ali ne znaju svi da je taj slikar, naj\u010de\u0161\u0107e pominjan me\u0111u \u017eivim slikarima svoje generacije, \u0160panac. Mnogi ne znaju da je Pikaso svojim slikarskim delom, umetno\u0161\u0107u ube\u0111ivanja svojih boja i oblika punih strasti, istupio u odbranu \u0160panske republike, koja ga je u danima svoje ugro\u017eenosti u\u010dinila \u010duvarem najve\u0107eg umetni\u010dkog blaga \u0161panskog naroda: direktorom muzeja Prado u Madridu.<\/p>

Pablo Ruiz i Pikaso ro\u0111en je 1881. u Malagi. Proveo je mladost u Pontevedri, Korunji, Barseloni i Madridu. U\u010dio je i posmatrao nasle\u0111e stare \u0161panske umetnosti. Od Goje naovamo, nijedno ime \u0161panskog slikarstva nije imalo odjeka poput Pikasovog.<\/p>

Uprkos tome, Pikaso je samo korenima u pro\u0161losti \u0160panije. Izdanci njegovih misli i slika oplo\u0111eni su evropskim problemima. Njegovi najprisniji prijatelji pripadaju onoj generaciji koja je na margini tehni\u010dkog savr\u0161enstva filmske slike i foto-objektiva te\u017eila ka nekim drugim ciljevima slikarstva a ne naturalisti\u010dkom detalju i kopiranju vidljive realisti\u010dke fasade. Uz podsticaj pesnika Apolinera i zajedno sa slikarem Brakom, osnovao je kubizam.<\/p>

Po\u010detkom veka on je realisti\u010dkim delima potvrdio da je kvalifikovan da se doka\u017ee na putu tradicionalnog. Nadahnut Tuluz-Lotrekom, pro\u0161ao je kroz plavi period: slike sirotinje i njene patnje, slike rada bile su poput tu\u017ebalice nad ovim vremenom. Period koji je, nadahnut crna\u010dkom umetno\u0161\u0107u, tra\u017eio svoj put ka jednostavnosti, ka naivnosti, dostigao je vrhunac u eksperimentu s materijalima, s plasti\u010dno-slikarskim delima.<\/p>

Usledila je klasicisti\u010dka epoha koja se, kao u muzici Stravinskog, povla\u010di iz nesklada svog vremena u savr\u0161enstvo antike i tra\u017ei poslednje rastapanje u apsolutnoj apstrakciji.<\/p>

A sad nas jedna velika \u0161tafelajna slika po imenu \u201eGernika\u201c, za \u0161panski paviljon Svetske izlo\u017ebe u Parizu, i \u0161est crte\u017ea \u201eFrankov san i la\u017e\u201c, podse\u0107aju na borbu za zavi\u010daj ovog slikara, koja je istovremeno borba za Evropu, za ljudsku kulturu. Preobu\u010den u mahu<\/em>, divlje razmahan, tako da mu poigravaju sablja i kruna, s glavom od hobotnica, la\u017eni general suo\u010dava se sa bikom-\u0160panijom. Kao toreadori u areni, \u017eeli da mu zada smrtni udarac.<\/p>

Pikaso se bori svojim sredstvima, svojom umetno\u0161\u0107u. Ona nekima, ona mnogima mo\u017ee delovati tu\u0111e i nerazumljivo; ona u ovom trenutku poziva naprednu Evropu protiv tame i smrti.<\/p>

Tako se Pikasov put ponovo spaja s putem \u0161panskog naroda, on se s tim narodom bori za jednu kulturu koja je nekad bila svetlost vodilja Evrope. I zasvetle\u0107e ponovo tek onda kada pobedi pravedna stvar naroda.<\/p>

\u00a0<\/p>

P.M.<\/p>

Dodatak redakcije: pesma \u201eFrankov san i la\u017e\u201c sa \u010detiri Pikasova crte\u017ea ovde se prvi put objavljuje. Neprevodivi vapaj alhigu\u00ed<\/em> je arapska re\u010d koja se o\u010duvala u Pikasovom u\u017eem zavi\u010daju, u predelu Malage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Prevod novinskog \u010dlanka Ota Bihalji-Merina (P. M.) \u201ePikaso protiv Franka\u201c, objavljenog u novinama \u201eABC\u201c 22. jula 1937. godine Prevod sa nema\u010dkog: Tijana Tropin Pikaso protiv Franka Ve\u0107ina ljudi verovatno poznaje neobi\u010dno delo slikara Pikasa. Ali ne znaju svi da je taj slikar, naj\u010de\u0161\u0107e pominjan me\u0111u \u017eivim slikarima svoje generacije, \u0160panac. Mnogi ne znaju da je […]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"footnotes":""},"categories":[143],"tags":[],"class_list":["post-13278","post","type-post","status-publish","format-standard","hentry","category-arhiv-salona-obm"],"yoast_head":"\nOBM 4 - \u041c\u041d\u041c\u0423<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mnmu.rs\/en\/arhiv-salona-obm\/obm-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OBM 4 - \u041c\u041d\u041c\u0423\" \/>\n<meta property=\"og:description\" content=\"Prevod novinskog \u010dlanka Ota Bihalji-Merina (P. M.) \u201ePikaso protiv Franka\u201c, objavljenog u novinama \u201eABC\u201c 22. jula 1937. godine Prevod sa nema\u010dkog: Tijana Tropin Pikaso protiv Franka Ve\u0107ina ljudi verovatno poznaje neobi\u010dno delo slikara Pikasa. Ali ne znaju svi da je taj slikar, naj\u010de\u0161\u0107e pominjan me\u0111u \u017eivim slikarima svoje generacije, \u0160panac. Mnogi ne znaju da je […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mnmu.rs\/en\/arhiv-salona-obm\/obm-4\/\" \/>\n<meta property=\"og:site_name\" content=\"\u041c\u041d\u041c\u0423\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/muzejnaivneimarginalneumetnosti\" \/>\n<meta property=\"article:published_time\" content=\"2024-11-13T13:57:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-22T20:26:22+00:00\" \/>\n<meta name=\"author\" content=\"goranmilo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"goranmilo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/\"},\"author\":{\"name\":\"goranmilo\",\"@id\":\"https:\/\/mnmu.rs\/#\/schema\/person\/5cbee7912543be5b762980311cbd6b39\"},\"headline\":\"OBM 4\",\"datePublished\":\"2024-11-13T13:57:26+00:00\",\"dateModified\":\"2024-11-22T20:26:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/\"},\"wordCount\":493,\"publisher\":{\"@id\":\"https:\/\/mnmu.rs\/#organization\"},\"articleSection\":[\"\u0410\u0440\u0445\u0438\u0432 \u0441\u0430\u043b\u043e\u043d\u0430 \u041e\u0411\u041c\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/\",\"url\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/\",\"name\":\"OBM 4 - \u041c\u041d\u041c\u0423\",\"isPartOf\":{\"@id\":\"https:\/\/mnmu.rs\/#website\"},\"datePublished\":\"2024-11-13T13:57:26+00:00\",\"dateModified\":\"2024-11-22T20:26:22+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\u041f\u043e\u0447\u0435\u0442\u043d\u0430\",\"item\":\"https:\/\/mnmu.rs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"OBM 4\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/mnmu.rs\/#website\",\"url\":\"https:\/\/mnmu.rs\/\",\"name\":\"\u041c\u041d\u041c\u0423\",\"description\":\"\u041c\u0443\u0437\u0435\u0458 \u043d\u0430\u0438\u0432\u043d\u0435 \u0438 \u043c\u0430\u0440\u0433\u0438\u043d\u0430\u043b\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438\",\"publisher\":{\"@id\":\"https:\/\/mnmu.rs\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/mnmu.rs\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/mnmu.rs\/#organization\",\"name\":\"\u041c\u041d\u041c\u0423\",\"url\":\"https:\/\/mnmu.rs\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/mnmu.rs\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/mnmu.rs\/wp-content\/uploads\/2019\/01\/Logo-MNMU-1-2-e1663202065107.jpg\",\"contentUrl\":\"https:\/\/mnmu.rs\/wp-content\/uploads\/2019\/01\/Logo-MNMU-1-2-e1663202065107.jpg\",\"width\":300,\"height\":262,\"caption\":\"\u041c\u041d\u041c\u0423\"},\"image\":{\"@id\":\"https:\/\/mnmu.rs\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/muzejnaivneimarginalneumetnosti\",\"https:\/\/www.youtube.com\/channel\/UCtww058_pFjWYHx2rDvTZVw\",\"https:\/\/www.instagram.com\/museumofnaivemarginalart\/?igshid=YmMyMTA2M2Y\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/mnmu.rs\/#\/schema\/person\/5cbee7912543be5b762980311cbd6b39\",\"name\":\"goranmilo\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/mnmu.rs\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3964ec7334b4516fff36923798bc278da0c3ee20525f3366915e7fce794ed9f3?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3964ec7334b4516fff36923798bc278da0c3ee20525f3366915e7fce794ed9f3?s=96&d=mm&r=g\",\"caption\":\"goranmilo\"},\"sameAs\":[\"https:\/\/mnmu.rs\"],\"url\":\"https:\/\/mnmu.rs\/en\/author\/goranmilo\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"OBM 4 - \u041c\u041d\u041c\u0423","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mnmu.rs\/en\/arhiv-salona-obm\/obm-4\/","og_locale":"en_US","og_type":"article","og_title":"OBM 4 - \u041c\u041d\u041c\u0423","og_description":"Prevod novinskog \u010dlanka Ota Bihalji-Merina (P. M.) \u201ePikaso protiv Franka\u201c, objavljenog u novinama \u201eABC\u201c 22. jula 1937. godine Prevod sa nema\u010dkog: Tijana Tropin Pikaso protiv Franka Ve\u0107ina ljudi verovatno poznaje neobi\u010dno delo slikara Pikasa. Ali ne znaju svi da je taj slikar, naj\u010de\u0161\u0107e pominjan me\u0111u \u017eivim slikarima svoje generacije, \u0160panac. Mnogi ne znaju da je […]","og_url":"https:\/\/mnmu.rs\/en\/arhiv-salona-obm\/obm-4\/","og_site_name":"\u041c\u041d\u041c\u0423","article_publisher":"https:\/\/www.facebook.com\/muzejnaivneimarginalneumetnosti","article_published_time":"2024-11-13T13:57:26+00:00","article_modified_time":"2024-11-22T20:26:22+00:00","author":"goranmilo","twitter_card":"summary_large_image","twitter_misc":{"Written by":"goranmilo","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/#article","isPartOf":{"@id":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/"},"author":{"name":"goranmilo","@id":"https:\/\/mnmu.rs\/#\/schema\/person\/5cbee7912543be5b762980311cbd6b39"},"headline":"OBM 4","datePublished":"2024-11-13T13:57:26+00:00","dateModified":"2024-11-22T20:26:22+00:00","mainEntityOfPage":{"@id":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/"},"wordCount":493,"publisher":{"@id":"https:\/\/mnmu.rs\/#organization"},"articleSection":["\u0410\u0440\u0445\u0438\u0432 \u0441\u0430\u043b\u043e\u043d\u0430 \u041e\u0411\u041c"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/","url":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/","name":"OBM 4 - \u041c\u041d\u041c\u0423","isPartOf":{"@id":"https:\/\/mnmu.rs\/#website"},"datePublished":"2024-11-13T13:57:26+00:00","dateModified":"2024-11-22T20:26:22+00:00","breadcrumb":{"@id":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/mnmu.rs\/arhiv-salona-obm\/obm-4\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"\u041f\u043e\u0447\u0435\u0442\u043d\u0430","item":"https:\/\/mnmu.rs\/"},{"@type":"ListItem","position":2,"name":"OBM 4"}]},{"@type":"WebSite","@id":"https:\/\/mnmu.rs\/#website","url":"https:\/\/mnmu.rs\/","name":"\u041c\u041d\u041c\u0423","description":"\u041c\u0443\u0437\u0435\u0458 \u043d\u0430\u0438\u0432\u043d\u0435 \u0438 \u043c\u0430\u0440\u0433\u0438\u043d\u0430\u043b\u043d\u0435 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438","publisher":{"@id":"https:\/\/mnmu.rs\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mnmu.rs\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/mnmu.rs\/#organization","name":"\u041c\u041d\u041c\u0423","url":"https:\/\/mnmu.rs\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mnmu.rs\/#\/schema\/logo\/image\/","url":"https:\/\/mnmu.rs\/wp-content\/uploads\/2019\/01\/Logo-MNMU-1-2-e1663202065107.jpg","contentUrl":"https:\/\/mnmu.rs\/wp-content\/uploads\/2019\/01\/Logo-MNMU-1-2-e1663202065107.jpg","width":300,"height":262,"caption":"\u041c\u041d\u041c\u0423"},"image":{"@id":"https:\/\/mnmu.rs\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/muzejnaivneimarginalneumetnosti","https:\/\/www.youtube.com\/channel\/UCtww058_pFjWYHx2rDvTZVw","https:\/\/www.instagram.com\/museumofnaivemarginalart\/?igshid=YmMyMTA2M2Y"]},{"@type":"Person","@id":"https:\/\/mnmu.rs\/#\/schema\/person\/5cbee7912543be5b762980311cbd6b39","name":"goranmilo","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mnmu.rs\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3964ec7334b4516fff36923798bc278da0c3ee20525f3366915e7fce794ed9f3?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3964ec7334b4516fff36923798bc278da0c3ee20525f3366915e7fce794ed9f3?s=96&d=mm&r=g","caption":"goranmilo"},"sameAs":["https:\/\/mnmu.rs"],"url":"https:\/\/mnmu.rs\/en\/author\/goranmilo\/"}]}},"_links":{"self":[{"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/posts\/13278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/comments?post=13278"}],"version-history":[{"count":10,"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/posts\/13278\/revisions"}],"predecessor-version":[{"id":13499,"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/posts\/13278\/revisions\/13499"}],"wp:attachment":[{"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/media?parent=13278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/categories?post=13278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnmu.rs\/en\/wp-json\/wp\/v2\/tags?post=13278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}